Tuesday, 30 January 2018

House of Cards textual/codal analysis

TASK 1

What visual codes are at work in the analysis of Grand theft auto?  
  • ·          How does Barthes semantic code apply in the analysis of the masculine and feminine figures? 
  • ·           What connotations do the visual codes have?
The female - GTA

 Highly sexualised, she has her tongue sticking out whilst licking a lollipop this is seen as a seductive expression. The female body's language is almost swayed and standing in a feminine position. The female is wearing red which has connotations with lust and love but is also strongly linked with prostitution. 

The girl is seen playing with her hair this suggests that she's not that intelligent and also suggests that she is a confused character. 
      
She is also licking a lollipop very suggestively which promotes the idea that she is a playful character and maybe enjoys a bot of mischief and attention.


The male- GTA

The male has a scruffy stubbled beard which suggests that he is tough man and has maybe been in prison also links to the idea that he doesn't care about his appearance.

The man is seen wearing gloves so that it could mean he is ready to fight and get his hands dirty.

The man is looking very aggressively at the camera which highly suggests that  he is ready to confront anyone over anything. 









House of Cards: Chapter 1

House of Cards uses a number of different media techniques in order to portray different representations of the main characters, location and politics.

The mise-en-scene of Chapter 1, gives a strong representation of the main character, location and politics. The main character Frank Underwood is seen as a quite sinister character and through mise-en-scene this is further proven with the low-key lighting throughout the whole episode. This represents a sense of mystery and suspense which all conform to the conventions of a thriller. Frank Underwood is always dressed smart and slick this accentuates how politicians are dressed and are portrayed. Frank Underwood is also looking for revenge and is a power hungry character, this is represented through setting as most of the plotting and scheming occur late evening/night this represents a sinister atmosphere as well conforming to a political thriller conventions it also shows how sinister Frank’s character is. An example of this would be when Frank shatters the plates in his house this can represent the power struggle Frank is going through as he was cheated from being State Senator. Another example of corruption is when Frank blackmails Peter to work for him with no questions asked.

In, HoC, there is a use of dull and muted colours and with low-key lighting. The dull muted colour offers a sense of realism towards the audience as HoC portrays the corruption and power struggles within Washington, which is unknown to the public/audience. The low-key lighting conforms to the genres of a thriller and in HoC case the genre hybridity of a drama/thriller.

Also mise-en-scene has a part to play in the character of Zoe Barnes, who is an ambitious reporter working for the Washington Herald.  Zoe’s life has a vast contrast from Frank/Claire’s life. She lives in a messy apartment with paper and work scattered everywhere this suggests that she doesn’t care about her appearance. When Zoe first meets Frank she was wearing a revealing V-neck to try and sway Frank. This suggests that Zoe will do whatever it takes to get where she needs to be.
Peter Russo is a corrupt solicitation, who is involved in dark matters such as drugs and adultery. Peter becomes one of Frank’s pawns when he gets arrested for drink driving. Through mise-en-scene it showed Peter’s situation through dull/muted colours also when Peter was arrested it was set in the night, which gives it a more sinister feeling.

Another significant part of Chapter 1 is the sound used throughout the episode; there is a use of diegetic and non-diegetic sound within the episode. More significantly diegetic sound is more predominant, this usually occurs from Frank when he is narrating what’s happening within the episode and what he is planning. Frank looks directly at the camera almost if it’s a conversion between Frank and the audience. Despite this there is still non-diegetic sound in the episode, which is mainly the background music, this is more mysterious and it adds to the tension of the episode, it also gets your blood pumping and heart racing through the music. With the background music it conforms House of Cards to a political thriller. During the presidential elect winning party, there was a lot of patriotic music but Frank’s voice was more noticeable. During the episode the characters voices override the background music.

The editing of the show gives us a strong representation of the character, Frank Underwood.  The pace of the editing varies from scene to scene however it all adds up to paint this character, Frank, as a vicious and vengeful character. In an argument between Frank and his wife Claire, there is the use of shot reverse shot. The cuts and changes are very quick to suggest that this argument is heated and this shows the tension in the scene. This represents not only Franks but also Claire as characters that will not back down and will fight until they get their own way. There is also a very similar example that shows Zoe Barnes as and ambitious and arrogant character. In the scene where she is handing in the Education Bill, she is constantly interrupting her co-workers and there for the shot pace is very fast as the camera goes to the co-workers then is instantly back on her as she always has something to say. This shows that her character will make sure that her voice is heard as she want to make it to the top. In the title sequence of the show, there is a series of sped up establishing shots of the city of Washington DC. This represents the setting of the show as a very fast paced and busy establishment. This also sets the tone for the show itself

Moreover, the camera work also does a good job in the representing of characters in the show. There are many close-up shots on peoples faces in order to show emotion. Peter Russo is portrayed, through the use of camerawork, as an untrustworthy character. In the scene where his meeting is interrupted but his secretary posing as the president elect there are close up shots to his face and we can see that, even though we know he is lying, he keeps a strong, straight face. This immediately show the audience he is manipulative and not to be trusted. This is also reinforced in the scene where he lies to his secretary saying that he was alone the night before. This is a heated scene which uses the shot reverse shot at a fast pace. This shows that he wont crumble under pressure also. It also show that Christina, his assistant is quite a doubting character and is sceptical of his actions. When Russo is finally caught and called out by Frank he becomes worried and paranoid and agrees to everything Frank says. This shows him to be a pushover character being easily controlled by Frank. In the scene where Frank is told that he will not be made Secretary of State there is a close up shot, which shows his slight change is emotion. The change is enough for the audience to know he is hurt by the decision however it also shows him go from neutral to hurt to angry in a matter in a second showing he is ready to fight for his position.

--------------------------------------------------------------------------------------------------------------------------


Starter activity: Eastenders : https://www.youtube.com/watch?v=pIurmAcqn8M
Discuss the similarities and differences  of UK Soaps and US Long form dramas


UK Soaps are shorter in length 
UK soaps are lower in budget 
US dramas have a formal attitude whereas UK Soaps are quite urban 










Tuesday, 16 January 2018

Glossary

Glossary

  • Drama: What is TV drama? TV drama is a broad genre. At its simplest, it is fictionalised action in narrative form.
  • Long form TV Drama: Long form drama is a term coined to describe the recent shift of interest towards television series of high quality that many consider to have replaced the cinema as a locus of serious adult entertainment. Unfolding over multiple episodes, hours, and even years these TV shows are seen to provide a content, often dark and difficult, and innovative style that strain against the conventions of cinema as well as network television.
  • Media Convention:  A code is a system of signs which can be decoded to create meaning.In media texts, we look at a range of different signs that can be loosely grouped into the following:technical codes - all to do with the way a text is technically constructed - camera angles, framing, typography etc. verbal codes ...

  •  A code is a system of signs which can be decoded to create meaning.
    In media texts, we look at a range of different signs that can be loosely grouped into the following:
    technical codes – all to do with the way a text is technically constructed – camera angles, framing, typography etc
    verbal codes – everything to do with language -either written or spoken
    symbolic codes – codes that can be decoded on a mainly connotational level
    verbal codes 
  • Genre: A genre is basically the category of any type of art or literature, for example categories of movie would be comedy, horror, thriller etc.
  • Genre Hybridity: Some media texts are hybrid genres, which means they share the conventions of more than one genre. For example Dr. Who is a sci-fi action-adventure drama and Strictly Come Dancing is a talent, reality and entertainment show.
    verbal codes.
  • Synopsis- A brief summary of the major points of a written work
  • Open Narrative: can be unravelled in a lot of ways
  • Closed Narrative: there is only one obvious thread to pull on 
  • Hermeneutic Code: refers to any element of the story that is not fully explained and hence becomes a mystery to the reader.
  • Action Code:  applies to any action that implies a further narrative action. For example, a gunslinger draws his gun on an adversary and we wonder what the resolution of this action will be

  • Subvert: 
    undermine the power and authority of (an established system or institution).

Examples of Semantic Code

Red Rose- love/passion/romance/sex/proposal/England/Valentines/Labour/War of Roses/Lust


Verisimilitude: The appearance of being true or real.  

Print Media Terminologies

Anchorage- Fixing of meaning e.g. the copy text anchors (i.e. fixes to one spot) to the meaning of an image.
Banners-Typically found at the top or bottom of a print media text.
Broadsheet-Large format newspapers that report news in depth often with a serious tone and higher level language. News is dominated by national and international events, politics, business, with less emphasis on celebrities and gossip. Examples: The Independent, The Guardian, The Times, The Telegraph

Byline - A journalist's name at the beginning of a story.
Captions – Text below an image that describes the image or informs the audience who
took the image.
Copy - Main text of a story.

Cover lines – Captions on a magazine front cover
 Emotive Language – the use of language to generate specific emotional reactions in the target audience
Headlines – The text highlighting the main story being given priority by the producers of the print media text. Often designed to be eye-catching.
Inverted pyramid structure - Newspaper stories start with the main events. Then they give more details and eyewitness comments in short paragraphs. The paragraphs at the end of the story are less important than those at the beginning. This allows sub-editors to shorten stories by cutting paragraphs from the end.
Layout – How the print media text has been designed and formatted.
Masthead - The top section of a newspaper which gives the paper’s title, price and date
Sans Serif font – Font type which does not have lines perpendicular to the ends of letters e.g. Comic Sans – often seen as more contemporary. Think of Apple’s advertising.
Serif font – Font type which does have lines perpendicular to the ends of letters e.g. Times New Roman – generally seen as more traditional or higher class.
Splash – The front page story
Sub-headings – Smaller, typically one line headlines for other stories.
Tabloid - Smaller newspapers aimed at a large audience. News is reported in less depth and emphasises human interest stories. The language level is lower, paragraphs and stories shorter, with more use of images. Content often includes more celebrities, media news and gossip. Examples: The Sun, The Mail, The Mirror, The Express
Text to image ratio – This involves considering how weighted the print media text is with regards to text and image – you need to ask yourself why the ratio exists.

Typography – The collective term when considering elements of print media relating to the style of the text such as the font, colour, serif, sans serif etc.












House of Cards

Synopsis 


Genre conventions of a Thriller: The intensity of emotions they create particularly those of apprehension and exhilaration, of excitement and breathlessness, all designed to generate that all-important thrill. By definition, if a thriller doesn't thrill, it's not doing its job.

Narrative Techniques of a Thriller
  • Plot twists and turns
  • Flashbacks
  • Misdirections
  • Making the audience work
Characters

President elect Garrick Walker,
Linda Vasquez Chief of staff, woman, latino tuff as a 2 dollar cheque
Frank/Francis Underwood -House majority whip – keep the sludge moving.
Clair (Frans wide)- shady, direct, cold, ruthless, own ambitions and for her husband
Washington Herald: Zoe Barnes- willing to go against the law, very ambitious 
Recently elected  secretary of state   Michael Kern –
Peter  Rousseau - drink driver,solicitation, use of controlled substances.
Christina Gallagher assistant

--------------------------------------------------------------------------------------------------------------------------


Conventions of Drama

Exhibits real life situations with realistic characters, settings and stories
Portrays journeys of character development
Intense social interaction
Purpose of a dramatic story line is to move the audience
Heart of drama is the conflict
Conflicts include inner/outer realistic struggles depicting hardships, difficulty and pain 
Audience can relate to the characters
Structured with climaxes and anti climaxes to keep the audience emotionally attached and the tension ongoing
A form realisation at the end/happily

Conventions of Political Drama

  • Corruption in politics and congress
  • Realistic
  • Power struggle

House of Cards do conform to these conventions such as the corruption in congress as Frank was falsely promised senator and also when Frank blackmails Peter to work for him.
There is a power struggle with Frank as he is trying to reach the top.
This offers a sense of realism 

--------------------------------------------------------------------------------------------------------------------------

Task 7


Write a 500 word synopsis of House of cards



You are expected to decode the narrative from watching the film
At least three narrative (strands) exists, describe theme as part of the synopsis.
Describe the Genre of the film
Identify the main characters and their character role hero/anti hero, protagonist/antagonist

   Frank Underwood is an ambitious democratic congressman and the House Majority Whip.

The show starts by introducing Frank Underwood who is the main protagonist and it shows an injured dog and how Frank gives a dark metaphor about pain whilst strangling the dog. This shows Frank is willing to do anything when needed.
The story moves on to the successful election of President Garret Walker, Frank then introduces other main characters throughout the party. Whilst still having a direct mode of address with the audience.

 Frank helped and ensured the election of President Garret Walker, who falsely promised to promote Underwood to Secretary of State. However Walker and Chief of Staff Linda Vasquez, a Latino woman, go against that promise and instead appoints Senator Michael Kern. Frank angered with the decision and infuriated with the betrayal of Walker and Vasquez. This is due to the amount of help and effort Underwood gave the two and they went against him. With this feeling of betrayal and regret Underwood as this is a stab in the back for Underwood so he and his wife Claire, a ruthless CEO of an environmental company, make a pact to destroy Kern and for Frank to become president.
Frank needed to gather his own team to do anything he wants with no questions asked.
Whilst this was occurring, ambitious reporter for the Washington Herald, Zoe Barnes comes into play as she makes her resources available she becomes one of their pawns. Zoe Barnes is looking for her big break and thought she had found it with Frank.
Another pawn for Frank and Claire is Peter Russo who is an unfaithful solicitation